#Ableton simple delay only 300 ms how to
#Ableton simple delay only 300 ms generator

The frequency for each filter gets its own Macro knob, which at the left and right extremes, turn the filter off. Individual keys in the same octave are mapped to toggle each of the delay channels. The delay times for each channel are mapped to the same Macro knob, which is then MIDI mapped to an eight-note key range as shown.

#Ableton simple delay only 300 ms generator

(You can’t assign a key range directly to the buttons.) You can also 2: Filter Delay is set up here as an interactive triplets generator each delay channel has the same note value with triplet offsets for the right and left channels.

When enclosed in an Audio Effect rack, you can set up a MIDI key range to step through the sync’ed delay-time buttons by mapping them to a Macro knob and then assigning a range of eight notes to control that knob. Start with the Pan knobs in their default positions (left, centre and right, respectively), set all volumes at 0.0dB, and then adjust the pan, filter and delay times to taste.įilter Delay offers plenty of opportunities for interactivity. Use all three channels with delay times in the 1.0 to 25.0 ms range and use little or no feedback. Used as a track insert effect, Filter Delay makes a great room simulator. Finally, each band has its own feedback, pan and volume controls.

With the filter’s band-width set to its maximum value (9.0) it functions as a low-pass or high-pass filter. You can disable these delays individually, and each delay is preceded by a band-pass filter, which you can also disable. In addition to left- and right-channel delays, there’s a delay for a mono mix of the two channels. You could think of Filter Delay as Simple Delay on steroids. But if you manually enter the same settings for both channels, you can apply a different, small offset to each channel for interesting stereo, phasing and flam effects. When you don’t need separate left- and right-channel settings, click the Link button and the left-channel settings will be applied to both. Furthermore, you can add or subtract a percentage offset to the tempo-sync’ed settings. It provides independent delay times for the left and right stereo channels, and you can specify those times in tempo-sync’ed multiples of a 16th note or in milliseconds. Simple Delay is the most basic Live delay, but don’t be put off by the name.

#Ableton simple delay only 300 ms how to

(See the ‘Ah-one, Ah-two’ box for a review of how digital delays work, how to convert between note-based and time-based settings, and how to set triplet and swing delay times.) Simple Stuff The Return volume then controls the delay level while the dry signal, whose level is controlled by the track volume, is not affected by the other effects. But when you combine one of them with other effects or use one of them to process multiple tracks, place it on a Return track in Pre mode. You can use each of Live’s delays as an insert effect and adjust its wet/dry mix as needed. You’ll find detailed coverage of two other Live delay-based devices - Grain Delay and Looper - in the January 2012 and December 2013 Live columns. This month we’re going to look at how to get the most out of each of them. Live’s Simple Delay, Ping Pong Delay and Filter Delay audio effects cover all the basics as well as offering a lot of creative potential, and their similar control panels make them easy to learn.

We look at what Live’s built-in delays can do for you. MIDI CC 11 (Expression Pedal) is mapped to feedback to control the depth of the effect. Try it in a fixed position for detuning effects or change it in real time for a moving, flanger-like effect. MIDI CC 1 (Mod Wheel) is assigned to modulate the delay times in opposite directions with different ranges as well as to deactivate the device when the wheel is all the way down. 1: Very short, different right- and left-channel delay times simulate a flanger-like effect.